Crescent Dawn by Clive Cussler and Dirk Cussler, read by Scott Brick.
This one steps in dangerous territory with a rumoured ossary containing Jesus' bones, and I haven't yet finished it to see where that strand leads. Yesterday in Istanbul a terrorist attack killed 30,
which made this story very topical; even informative about terrorist motivations (Muslims killing Muslims to push an electorate towards fundamentalism).
The Pitts, ever resourceful, unite to save the world (I expect). With the involvement of the sinking of HMS Hampshire with Lord Kitchener aboard in June 1916, the book postulates
an intriguing and worrisome reason for the sinking, which sets the scene for the train of events described in Crescent Dawn, drawing to a conclusion in Cyprus at Stavrovourni Monastry which I visited as a child.
Crossfire by Dick Francis and Felix Francis, read by Martin Jarvis
Firtsly, Martin Jarvis' reading is superb, with accents that neatly characterize all the participants in this great story. Home from Afghanistan without his foot, hero
Captain Tom Forsyth finds his mother, a top racehorse trainer in a real mess: blackmail, etc, etc. They never have got on too well. Tom decides to
sort out the problem, since bringing in the police would land his mother in jail. What I really liked about this story was that quite a lot of it
deals with getting the bad guys their just desserts in a truly deserving manner. There was a special pleasure for the reader in this. Sadly this was Dick Francis' last book before he died. Great legacy!
The Da Vinci Code by Dan Brown, read by Paul Michael.
Pretty good marks as a fictional thriller. I particularly enjoyed the inclusion of phi in the codebreaking aspects. Trouble is, this story masquerades as a historical novel. In a historical novel,
the author typically fills in the gaps in our knowledge with as realistic a story as might have been truly possible. In contrast, Dan Brown takes
well established truth within Christianity and replaces it with fantasy so extreme to be ridiculous. Most
peoples' knowledge of the Bible is scant, and they may be taken in by Brown's musings. Other reviewers praise Brown for the detailed reserach he must have undertaken. There is a character called Sir Lee Teebing. in common practice he would be referred to either as Sir Lee Teebing, or Sir Lee, or perhaps Lee, or Lee Teebing. Brown repeatedly calls him Sir Teebing. That would be like referring to Sir Isaac Newton as Sir Newton. If this is an illustration of the quality of Brown's
research, I would surmise that all of the exotic stuff comes straight from his imagination. For me, the revelations in the Bible are far more exciting, and logical, than
the mixture of myths in the Da Vinci Code. I like Nicky Gumbel's booklet: The Da Vinci Code: A response, which neatly consigns every single aspect of Dan Brown's imaginings to the world of fiction.
The Danger by Dick Francis, read by Tim Pigott-Smith.
This is a great kidnapping story against the background of racing. Tim Pigott-Smith is perfect.
Dark Angel by Geoffrey Archer, read by Christian Rodska.
To save you researching, Geoffrey Archer is not the same as Jeffery Archer, though they share a talent for complex and absorbing storytelling.
A traumatic event in the lives of three teenagers transform those lives, so there is ample
opportunity for character development over the 55-year timespan of the novel. Though none of them is tainted by virtue, except perhaps the struggling-with-his-homosexuality Tom,
and one is positively evil, there is much to wonder at in the way they conduct their subsequent lives, scheeming and manipulating.
There are also fascinating glimpses of the Korean and Faulkland wars, where the author is comfortable with including his own well-informed opinions on those events.
Dark Lady by Richard North Patterson.
Ever wondered what might be going on behind the staid facades of municipal politics. In Steeton, a seething writhing gamut of ambition, greed, scheeming, murder and unnatural
practices that heroine Stella Marz, assistant county prosecutor must untangle to rid the town of the dark influence of organized crime. I sy this because what otherwise would be just another thriller makes one wonder about
local politics and politicians. No, its OK; I'm sure yours aren't like those in Steelton...
The Camel Club by David Baldacci, read by Jonathan Davis.
I discovered Baldacci only in 2015, and am reading them in the order I find them in the Ottawa library, which is anything but chronological. I suspect this
may be the first in the series involving his misfit friends. While way above the standards of most thrillers of its type, I would say the writing here is less
well-honed that in Hell's Corner or Divine Justice. I still enjoyed it enormously.
The Cruel Sea by Nicholas Monsarrat, read by Robert Powell. Delivery delays.
As an ex Royal Navy man I feel this is a great classic of war and of the traditions of the Navy.
Day of Reckoning by Jack Higgins, read by Patrick Macnee.
A deliciously long Higgins novel with Sean Dillon and friends inflicting major damage on the Mafia over and over and over again. Higgins' characters inspire affection
and the book is spiced with dry Irish humour, and not a few Bushmills when Liam Devlin (still alive after all these years) is on stage.
Deadly Decisions by Kathy Reichs, read by Katherine Borowitz.
Forensic scientist Kathy Reichs' third novel is even more gripping than Deja Dead, and as an added bonus has the biker gangs as her backdrop for this novel. There's a special message for folk who may think bikers are just people who like riding Harleys.
Death du Jour by Kathy Reichs, read by Katherine Borowitz.
There's a lot of blood and badly treated flesh, but if you want to know what life in a CSI team is really like in the real world, here's your
opportunity. I was reminded that one of the things that never stops or changes in our broken world is murder. While
crime novelists have exploited our sad fascination for people killing people, a dose of Reichs realism is
appropriate to remind us that the whole subject is horrifying.
The Deceiver by Frederick Forsyth, performed by Charles Keating.
Sam McCready is a cunning but charming British agent who is usually several moves ahead of his adversaries, and in Forsyth's fast-moving and well-constructed plots his exploits are always captivating.
Debt of Honour by Tom Clancy, read by John Rubinstein.
Are there no bounds to Clancy's suggestions as to what could be. Here a copybook repeat of
Pearl Harbour by Japanese attempting to repay the first go-round takes every shill that Ryan has learned, to defeat, and
in the process advances his career somewhat. Did I tell you my dog is named for Clancy?
Trojan Odyssey Clive Cussler, read by Ron McLarty
I am listening to the Cussler books in the order I can pull them from the shelf at the Beaverbrook Library, not in chronological order. This
predates the others I've explored so far, making Dirk Pitt senior the hero. And what a hero! One step removed from Superman, ready to
bust into any danger zone and trust in his own skills to get him out of trouble, with the help of puppetmaster Cussler. Cussler's penchant for reworking ancient events, this time Homer's Oddyssey, is stunning in its invention. I prefer Ron McLarty's
voice to Scott Brick, which was a plus for me in this bunch of wild fun, saving Europe from utter disaster. It is shorter than the others, which
is a pity - the longer the better.
Declarations of War by Len Deighton, read by Michael Jayston.
Short stories of war-inspired emotions and traumas, this collection even better (to my mind) than "Twelve Good Men and True" included below.
Deep Six by Clive Cussler, read by Tom Wopat.
With echoes of The Manchurian Candidate, Dirk Pitt's unravelling of presidential kidnapping and the release of nerve agent "S" into the northern Pacific
prompted praise from Tom Clancy - "A new Clive Cussler novel is like a visit from your best friend" - and made it a NYT bestseller.
Deja Dead by Kathy Reichs, read by Amy Irving
Forensic scientist Kathy Reichs turns novelist and produces a seemingly totally authentic account of the nailing of a Montreal serial killer. Should make a great movie.
Destination Gold by Richard Marcinko & John Weisman, read by Richard Marcinko
Almost as good as "Seal Force Alpha" (see below) and just as vernacular - which seems in keeping with this story and this hero, who looks like a biker, is a Navy Captain, and has to work around lesser mortals like admirals and generals on a daily basis.
The Devil's Alternative by Frederick Forsyth, read by Peter Egan.
From the opening words, a compelling story of international forces at work, in the unique Forsyth tradition.
Divine Justice by David Baldacci, read by Ron McLarty.
Almost on a par with Hell's Corner, and I just can't get enough of Oliver Stone, Baldacci's super-spy hero in the Camel Club series. Of particular interest
to anyone connested with prisons or prison visiting, describing a fictional super-max where all humanity has long been dispensed with and the superintendent dispenses
death as routine, seeming to get away with it. If you want 'tough on crime,' here is your eventual destination.
The Eagle has Landed by Jack Higgins, read by Christopher Casenove, unabridged.
Classic WW2 story in that the individual Germans in the story were (for the first time?) portrayed as honourable foes rather than inhuman.
The Edge by Dick Francis, narrated by Simon Prebble.
The action takes place in Canada - Ottawa, Toronto, Winnipeg and Vancouver, and mainly on a special train with racehorses, owners, fans, villain Julius Filmer, and hero sleuth Tor Kelsey. I (an Englishman) have never actually crossed Canada on the train, but after thoroughly enjoying this novel by an Englishman, I feel I know what it would be like. Another Canadian ingredient is a murder mystery which becomes entangled in the real mystery. Great stuff by the master of racing thrillers. All Canadians should read!
Edge of Danger by Jack Higgins, read by Patrick Macnee.
This is as good as The Eagle Has Landed, if not better! The characters Higgins continues to use in the series of his books have become well drawn friends with whom we feel comfortable - even the villains.
The twist here is that the initial hero becomes the villain, but not before I was asking "What's going on; is the hero an assassin?" As in the Devil's Alternative, the good guys have multiple missions to put paid to the bad guys; it's like having three books in one without having to say goodbye. I have some niggling criticism of Macnee's reading and would like to hear someone else have a go at the next one, but this didn't hurt my enjoyment. I loved it.
Enquiry by Dick Francis, narrated by Simon Prebble.
One of those stories where the good guy is falsely accused but only a few stand by him. I sensed that Mr Francis was
having a not-so-subtle go at the crowd that control racing in Britain. Thoroughly enjoyable.
Empire of the Sun by J.G. Ballard; read by Jeremy Irons.
Based on the author's childhood experiences in 2nd world wartime Shanghai, he paints an unforgettable portrait of war, China and childhood resilience.
The Empty House by Rosamunde Pilcher; performance by Lynn Redgrave.
Beautifully told story of love and children sixty years ago in England, as an insecure young widow recaptures her first love. Descriptive flair, so true to life, in every paragraph. Rosamunde Pilcher is one of the finest of writers, and in Lynn Redgrave she has the perfect interpreter.
Eye of the Needle by Ken Follett, read by Edward Woodward.
British war efforts could be totally frustrated if master spy Henry Faber is not stopped from
completing his mission. Some of the events based on truth emphasise that the versatile Ken Follett can excell in the world of espionage.
Eyes of a Child by Richard North Patterson, read by Ken Howard.
Suicide or murder? Mysterious events within two families linked by fate, cleverly devised to keep us guessing till the very end, with characters who could be your neighbours
and their children.
Extremely loud and incredibly close by Jonathan Safran Foer, performed by Barbara Caruso, Richard Farone, Jeff Woodman.
For the first few disks I wondered if I would finish this, since I was confused in the strange world of the characters. I would not have continued had it been the hard cover version. I persevered and so should you. There is a strong endorsement from Salman Rushdie and the audiobook narrators do a fine job. The book is unique in subject matter, in behaviour of the characters, and in the way the story is told from
the angles of the different characters. The 'hero' is a 9 year old boy, very articulate and gifted but without the reticence
that adults develop. The emotions he experiences following the death of his father at 9/11 are heartrending, and the overall impression one is
left with is the power of love in a family. The author adds to the drama by making the main characters atheists, but in real life, only folk with
a dependence on the Holy Spirit could have handled such events without damaging levels of stress (in my view).
Fer-de-Lance by Rex Stout, read by Michael Pritchard.
Rex Stout's first crime novel, written in 1934, introduced super sleuth Nero Wolfe who would become one of the great fictional dectectives.
Felix in the underworld by John Mortimer, read by Michael Pennington
Wonderfully crafted story that introduces us to a world of which most of us know nothing, yet it is all too real. This is all mapped on to an elegant crime mystery.
Falling Man by John DeLillo, read by John Slattery.
I understood very little of this book. The 'story' and the characters confused me. It was like one of those thriller movies where I can't tell what's going on because it jumps about so much. The writing contained frequent brilliant descriptive sentences which is the only reason I kept reading, hoping that at some point it would all fall into place. It didn't; not for me anyway.
False impression by Jeffrey Archer, read by Byron Jennings
Archer in the art world, and specifically the market for the likes of Van Gogh, makes for high finance, aristocratic living, greedy white collar criminals and a Rosa Kleb-styled Romanian assassin called Olga Krantz.
The story doesn't disappoint, though as I am simultaneously reading James Joyce the prose seems somewhat mundane. I several times asked myself whether Byron Jenning's use of Romanian, Japanese and other accents adds to the enjoyment or not.
The Family by Mario Puzo, read by Philip Bosco.
An extraordinary historical novel based around the life loves and cimes of the family of Rodrigo Borgia - Pope Alexander VI, who ruled the Vatican in the 15th century, when a somewhat different moral ethic was normal.
A work two decades in the making. Puzo is the author of "The Godfather." The book was completed by his companion, novelist Carol Gino.
Finding Moon by Tony Hillerman, performed by Jay O. Sanders.
In working through the Hillerman novels after happening on his wonderful autobiography "Seldom Disappointed," this is the one I have
enjoyed most, and there isn't a Navaho in sight. Set in the closing weeks of the Viet Nam war (as was Miss Saigon) it follows the
exploits of Moon Mathias as he attempts the almost impossible following his brother's death in a helicopter accident. Beautifully crafted story with chunks of real history as the backdrop. Particularly fine for people who appreciate a capacity for "getting the job done."
Fire Ice by Clive Cussler, read by James Naughton.
I'm working backwards through Clive Cussler's consistently enjoyable thrillers, and every time I learn something about the oceans, the earth, engineering,
weather, (pseudo) science and other fascinating aspects of our planet. Good heroes, good villains, great stories.
The Firm by John Grisham, read by D.W.Moffett.
Although centred on a fast moving crime story, for me the unique aspect was the description of the attempted exploitation of the
Mitch McDeere by the senior partners in the Bendini tax firm. In Mitch, they met their match, because his brilliance enabled him
to survive a work schedule that would have shattered most of us. Such firms exist.
The First Eagle by Tony Hillerman, performed by George Guidall.
A joy of a detective novel because the environment (Navaho Indian) and the characters are as finely drawn as the so-believable plot.
Feels like a true story (perhaps through Hillerman's journalism background). Of particular interest in these SARS days is the
authentic-sounding medical science involving bubonic plague in humans and prairie dogs.
First Family by David Baldacci, read by Ron McLarty
This is first class thriller, made all the more poignant by the inclusion of a fictitious president and first lady, and showing us their frailties despite
high office. Features a likeable villain, Sam Quarry, who takes the law into his own hands for reasons that one can understand.
The Fist of God by Frederick Forsyth, read by Simon Jones.
This is the best war/spy story I have ever encountered. I don't know how much of it is based on fact in the Gulf War, but it is certainly a feasible and extremely revealing explanation of events.
Flesh and blood by Jonathan Kellerman, read by John Rubinstein.
Just another whudunit? Turned out to be a very well constructed crime novel where all the loose ends were well tied up by the end, and it kept my keen interest throughout.
The Fledgling Spy by John Le Carré, read by the author.
So you thought all spies were old, or bold (but not both). Meet two tyros, embroiled in a tough world, where more than intelligence is needed to survive, and enjoy Le Carré's veiled cynicism about the profession.
The Fly on the Wall by Tony Hillerman, read by the author.
A non-Navaho Hillerman novel, set in the world of state and municipal politics and newspapers that he knew so well. Investigating
corruption in building contracts may not sound like the stuff of a good crime story, but in Hillerman's hands it not only rings true but becomes subject matter that we all need to be aware of. I really enjoyed this.
For whom the bell tolls by Ernest Hemingway, performed by Campbell Scott.
I'd read this decades ago (it was written in 1940) but only remembered the 'felt the earth move' segment, which made a deep impression ... it did again; but so did the whole story
in this splendid audio production. Although set in the Spanish civil war, the thoughts and experiences of the characters are for all conflicts in all their
terror and excitement and human toll, as are the descriptions of mans' inhumanity.
The Fourth K by Mario Puzo. Ships in 4-6 weeks.
By the author of "The Godfather" this thriller details the trauma of newly elected President Xavier Kennedy following the kidnapping of his daughter. Terrific story.
The Girl with the Dragon Tattoo by Stieg Larsson, read by Simon Vance.
The first in the Millennium trilogy (I have previously read The Girl who Played with Fire). Extraordinary characters; extraordinary crime story/whodunnit. Methinks
Lisbeth Salander legitimized a generation of smart girls refusing to follow the norm. Fascinating that she sees herself as a freak for remarkable skills that most
of us can only dream of. The business background of the novel added hugely to my enjoyment culminating in Mikael Blomkvist's comment near the end separating stock markets
from the real economy. Although Simon Vance's reading is generally excellent, I question the lower class accents that he gives to many of the characters, other than business tycoons, employing the
unfortunate British phenomenon where speaking 'BBC English' reflects class and background and in an extraordinary social reverse has become something to be avoided.
In Scandinavia and North America people of all classes use broadly correct pronounciation, whether they are aristocracy or street people - one of the many reasons I love Canada.
The Glace Bay Miner's Museum by Sheldon Currie, read by Mary Colin Chisholm.
A long short Canadian story with a twist you won't forsee.
God's Little Acre by Erskine Caldwell, read by Burt Reynolds.
Winner of a 1998 Audie Award, given by the Audio Book Industry.
The Good Germanby Joseph Kanon, read by Stanley Tucci.
Not only an excellent and exciting story, with a hero who is all the more believable for the mistakes he makes under stress, but also a fine
description of a moment in history that we hear little of - the mopping up in Germany after the end of the war, when the prize was rocket scientists and the Americans and the Russians were in a race to get them, and the novel suggests war criminal activity being hushed up along the way. Stanley Tucci added much to my enjoyment (after previously listening to his rendering of "The Judge.")
Gone but not forgotten by Phillip Mangolin, read by Margaret Whitton.
I read this after seeing the latest Batman film, Dark Knight. Evil is portrayed in both, this time in the form of a murderer who is clever enough to
negotiate a pardon for his admitted crimes. But, ten years later, very similar murders are committed. The book goes more deeply
than most into the mind of an evil man. Captivating.
Gone tomorrow by Lee Child, read by Dick hill.
My first Jack Reacher thriller, and I can't understand why it took me so long. Ths is top notch thriller writing with enough topical content (Patriot Act) to make it very real, and
quite frightening. Edward Snowdon would like this. Meticulously constructed around a fascinating anti-hero who breaks all the stereotypes. Loved it. Immediately got another Jack Reacher novel from the library (A Wanted Man)
The Greek Key by Colin Forbes, read by Jon Cartwright
Another story that makes me want to go driving so I can hear the next episode asap., and also to continue borrowing Colin Forbes audiobooks from the library. You can't go wrong - particularly if
Athens, Sunion and other Greek locations form any part of your background. I was there for my first honeymoon.
The Great Santini by Pat Conroy, performed by Michael O'Keefe.
All children of military servicemen should read; it explains a lot. The dilemmas of the war hero trying to be a husband and father.
H.M.S. Saracen by Douglas Reeman, read by David Rintoul.
Novel of Royal Navy life, with the hero spanning both world wars. This is the most realistic description of sea battles I have ever heard, and we get to know the characters as if we were on board with them. The stresses of command and the frustration with a degree of incompetance are finely described. How do I know it's so accurate? I was in the Royal Navy from 1959 - 1973, and nothing had changed, other than the probability of getting killed.
The Heart of Justice by William J. Coughlin, read by Dick Hill.
While other reviewers have panned this as not up to Coughlin's usual high standard, I liked it because of it's depiction of high finance and conflict of interest. Business is still rare as a subject for fiction.
Hannibal by Thomas Harris, read by the author, unabridged.
Sequel to Silence of the lambs (elswhere on this page).
The Heights of Zervos by Colin Forbes, read by Sean Barrett, unabridged.
This 1941 war story of sabatage and endurance is so good (and nice and long-8 tapes) that I submitted a review to Amazon that you can probably read by clicking on this link.
Hell's Corner by David Baldacci, read by Ron McLarty and Orlagh Cassidy.
How come this is only my second Baldacci till now (2015). Anyway the great news is there are 19 previous bestsellers
by him for me to wallow in. Hell's Corners is one of the top thrillers in these pages for storyline, characters, political relevance and narration.
Holy Thief by Ellis Peters, read by Paul Scofield.
12th century whodunit, and nicely told, charmingly evocative of an earlier age but no less short on sleuths.
Honour among Thieves by Jeffrey Archer, read by Edwin McCain.
Tremendous tale almost in the same class as "The Fist of God" and with a similar theatre of operations. Easy to follow (makes a change) and a storyline
where all the pieces fit neatly together for first class entertainent. In October 2003 I listened to another reading of this book, performed by Martin Jarvis,
and had no idea I had read it before. This illustrates the quality of my memory, but may suggest that the book had not made a lasting impression. Fun, but not a monolith on the stage of literature.
The Hunters by W.E.B.Griffin, read by J.O.Sanders
Let's just say that the next time I go to the library, if I can find either of the Presidential Agent series by W.E.B.G. that I have not yet read, I will select it immediately.
The pleasure I get from all aspects of these great books of military fiction is boundless. Part of this is that I once was a Royal Navy officer, so
the military feel of the books rings true for me, with some nostalgia. Does the public realize the debt we owe to real-life Charley Castillos?
The Horse Whisperer by Nicholas Evans, read by Peter Coyote.
From the first exciting tragic scene to the last sentence, this perfect story of horses and people is an addictive delight.
This story string your emotions on a journey of discovery and passion. Peter Coyote's reading is masterly, as if he were a character in the story.
I know this much is true by Wally Lamb, narrated by George Guidall
In the past 5 weeks while I have listened to this unabridged reading in awe and appreciation for such a story, I feel I have come to know the charactors intimately, and they have taught me aspects of life in multiple generations and cultures (Italian and US) I had never imagined before, but ring so true in this master's telling. Some reviewers rate this as their all-time favourite audio book; it is certainly in my top 3. The link is to "Recorded Books," not Amazon.
Impeachment of Abraham Lincoln by Stephen L. Carter, read by Paul Boehmer
I don't think I am going to forget Abigail Canner, a central (and fictional) character around whose exploits this remarkable work of alternative history is woven. It's
a great lesson in events, powerful people, conspiracy and the fact that decisions are made when different motivations temporarily join forces even though some of those motives are less than palatable. In our age we vilify our leaders (in the USA uncontrolled $billions are
spent on it at election time) yet in a democracy we expect them to achieve results for a country while opposed by personal interest, greed, and the overriding aim of parties
to seek and keep power. This novel shows that it was ever thus, and that America's greatest president was equally foiled by it. A terrific read with finely drawn people throughout.
In the company of cheerful ladies by Alexander McCall Smith, performed by Lisette Lecat.
I have been trying to persuade my wife Laurie-Ann to listen to this, since she has a heart for Africa. She asked if I could get a regular book version, but I insist that
Lisette Lecat's performance is not to be missed. Once more McCall Smith shows that entrancing stories don't have to be based in the first world, and that human nature
is universal, and that the humans he has imagined are totally intriguing and believable.
The Innocent by Harlan Coben, read by ??
I think this is one of the best crime novels I have ever listened to, in that a complex story has been so well thought out that
even in the last few pages, there are surprizes that perfectly mesh with the earlier episodes. While some of the subject matter is not exactly uplifting,
the exploration of the lifelong legacy the hero Matt Hunter must somehow live through after he accidently killed a fellow student
is fascinating. Extremely well read, but I forgot to write down the reader's name before retuning it to the library, and this important data
is nowhere to be found on Amazon.
Innocent Blood by P.D.James, (very well) read by Michael Jayston.
get right inside the mind of a man planning a murder with this one. Also explore the world of an adoptee desperate to re-unite with her birth
mother, who just happens to be a murderess. Or is she? For the first time ever, I think I figured out a better plot punch-chapter than the novelist had,
and spent the last half of the book wondering if she had the same idea. She didn't. A great book for a group to read and discuss.
The Intruders by Stephen Coonts, read by Jay O. Saunders
Good and autentic story for ex-navy buffs, partic flyboys. The hero is human and makes mistakes, but comes through in the end.
The Judge by Steve Martini, read by Stanley Tucci.
Written from the point of view of Martini's courtroom hero Paul Madriani, this is possibly the best crime novel I've heard, listed in these pages.
The story is wonderfully crafted, and the telling of it by Martini brought to life by Tucci had me panting for more by this author (see "The Jury")
Jump by Jilly Cooper, read by Samatha Bond.
I hardly got started with this one because I couldn't stand some of the characters - upper middle class British trash. But Etta the human heroine was
unselfish and kind, and led me to the real heroine, Mrs Wilkinson, a racehorse in terrible condition. This is a story about the world of
steeplechasing. Though the story did keep me reading till the end, the achievements of Mrs Wilkinson belied belief, and the humans,
some of whom had gutter morals presented as if such behaviour was almost common, titillated my sensual receptors but not my literary ones.
The Jungle by Clive Cussler with Jack du Brul, read by Jason Culp.
First, I really like Jason Cup's reading. This is one fascinating story, and although the computer science is far fetched, the team does a bang-up job
of saving the whole world from almost certain total disaster. I am only part way through the last disk, but I know there are other stories to come, so I am very confident
all the angles will be tied up as usual. Somehow with Cussler the predictability doesn't compromise the enjoyment I get from each one of his novels, and I will
continue pulling them off the library shelves whenever I see them.
The Jury by Steve Martini, read by John Slattery.
Almost as good as "The Judge" and with an equally unpredictable ending, Martini's storytelling is second to none, with no loose ends and every
piece of the complex jigsaw puzzle finally put in place. Convincingly presented by John Slattery.
Just Cause by John Katzenbach, read by Burt Reynolds.
Reporter Matt Cowart never imagines how thick the plot will get when he visits death row convict Robert Earl Ferguson,
and in Burt Reynolds' capable hands you will enjoy how the story unfolds. Includes interesting insights into the criminal mind.
The Key to Rebecca by Ken Follett, read by Anthony Quayle.
Having recently enjoyed Rebecca (see above), this title intrigued me, and the book (and the connection with Manderley) intrigued me even more, set in the time and region of The English Patient, and also a spy story of the highest calibre.
The Panther by Nelson De Mille, read by Scott Brick.
De Mille has just become my hero of the terrorist genre, outpacing WEB Griffin and Clive Cusler. One of my very few 7* books. John Corey is
selected to kill the Al Qaeda leader in Yemen, but only because he is seen as bait for the Panther. The book explores how a U.S. born Yemeni can
turn his back on his adopted country with such horifying results. The Panther is drawn as the mastermind behind the bombing of the USS Cole in Aden harbour.
Now I have been in Aden and know how it is pronounced - not ARDen as Scott Brick insists (though I can't fault the rest of Scott's performance).
I learned a lot about terrorism and the war against it, particularly with the help of drone-launched missiles, from this terrific book.
Kiligrew R.N. by Jonathan Lunn, read by Bill Wallis.
Although I love any book about the Royal Navy, one that takes place 40 years after the abolishon of the slave trade by England in 1807 and gives the role of enforcement to the R.N. was bound to be fascinating. This book is far more than another swashbuckling tale of sails and rigging. The hero Killigrew is a man who knows right from wrong regardless of what those around him believe, and is ready to lay down his life for it. The slavers have met their match.
Kill me if you can by James Patterson and Marshall Karp, read by Jeff Woodman and Jason Culp.
This is only the second James Patterson book I have ever read, surprizing considering he has had more New York Times bestsellers than any other writer. (The other one was Beach Road.) This one has twists and surprizes that I certainly didn't see coming and made for
compulsive listening. Lots of humour to counterbalance the violence, which makes it more fun to read but less realistic. The characters were nicely drawn, very talented or over-the-top evil. I did catch myself being relieved that the good guys would win in the end,
because that is what always happens in thrillers, but I didn't mind because the hero and heroine were so fetching. I will read more Patterson.
The Kite Runner by Khaled Hosseini, read by the author.
Hosseini's is a prodigious writing talent. Who that I can remember has chosen to present his hero, of a book written in the first person, as such an
apparently flawed character, devoid of courage, moral or physical, who knowingly wrecks the lives of others whom he loves, for his own benefit?
Doesn't sound like a promising scenario. Just read it, if you haven't already as millions have, and discover some great truths of humanity permeating a
terrific story.
Kilo Class by Patrick Robinson, read by Stephen Lang.
As a navy man I'm a sucker for good navy stories, and this is good, evoking the peculiar mixture of fear and power that makes up the submariner's environment.
The Kingdom by Clive Cussler and Grant Blackwood
read by Scott Brick.
The Fargos are on the track of priceless Nepalese relics and the location of Shangri-La. As with many of Cussler's novels, part of the fascination
is the great depth of research and realism brought to places and event I could only have dreamed about. The villains and heros are as spectacular as ever.
Kowloon Tong by Paul Theroux, read by David Dukes.
Wow! The first non-travel book I have read by Theroux, and what a novel! His portrayal of
an English cockney family in a business environment in Hong Kong in the run up to the "Chinese Take-away" in 1997 is an epic tragedy.
The unabridged version I greatly enjoyed read by Nicky Henson, ISBN 0754001466, is not listed by Amazon.
The Last Days by Joel C Rosenberg
Paperback. Audiobook also available from Amazon.
This follows on from The Last Jihad, and with an even more furious pace. However, the story is intriguing as a kind of "what-if" scenario, allowing
Rosenberg at one point to lay out a detailes prescription for lasting peace between Palestine and Israel. One has to assume that the powers that be are reading
this. Christian content is subtle but effective; I have just given the book to my Muslim Iranian dentist.
The Last Jihad by Joel C Rosenberg
Paperback. Audiobook also available from Amazon.
I read this work of fiction after reading Epicenter by Joel C Rosenberg, which is certainly not fiction. Rosenberg's
venture into dramatising the kind of events that are taking place this decade in the Middle East are scary and thought-provoking,
not to mention thrilling to read. Christian readers will relate to a number of aspects in the book, not least the prophetic
which are dealt with in greater depth in Epicenter. I can't wait to read The Last Days.
Last Seen by Matt Cohen, narrated by R.H.Thomson.